Short story: Autumn's Place


Autumn’s Place

There is a place not too far away from here where the sun always shines and the sky is always blue. At night the moon rises through a clear dark sky speckled with a million stars, all flickering away to some kind of galactic symphony. During the day the birds sing in harmony and at night the fireflies float around in the air, humming along to their own songs. Once in a while voices can be heard across the bay, but most of the time all you can hear are your own thoughts. If you close your eyes and clear your mind you can imagine this special place not too far away from here.

Autumn dreamt of this place when she wasn’t there. It was her haven away from the real world, her spot in the world where she felt like she really existed. Two days of real existence cancelled out the other five days of the week where she felt like she was just another ant building up the ant hill. Alarm clock to work to lunch to smoke break to work to gym to dinner to bed to alarm clock again. The boring cycle of the week days made her want to randomly kick things while screaming until her throat was hoarse. But once Friday came along, she would grab her weekend bag and hop on the subway, knowing full well that within the following 12 hours she would taste freedom again.

The air felt so pure and fresh that Autumn would let it fill her lungs as soon as she stepped off the train. Rain or shine, summer or winter, she would try to never miss a weekend away. There was nothing that the city had to offer her than millions of people, emails clamouring for her attention and a small, box-like apartment where she could never feel at home. Out in the special place she had as much space as she needed, more space than she would ever need. The deer would run across the lawn, chomping on the hyacinth flowers in bloom, and the raccoon babies would hole up beneath the ceiling rafters, keeping warm until they were big enough to venture outside alone, ready to attack the garbage cans that lay around for them to choose from.

On Saturday mornings, during any season, be the roads frosty or glistening with ice, or the air so humid with heat that one felt like one was drinking airdrops, Autumn would rise before the sun and walk down to the bay to watch it slowly come up over the water to the east. The sky would turn purple and then orange and yellow, bruised streaks lining over your head, until it looked like the sky would alight upon the bay, throwing fire onto the water, before the sun broke through the horizon and another sunny day would start. In the evening, she would rush over to the west bay and watch the sun set on the water again, sometimes over fishermen and swimmers, other times over blocks and blocks of ice that were floating about. Even during the winter months the sun rays were piercing and strong, as if nothing could beat the power it had over the place. It was clear that nature ruled the place that had captured Autumn’s heart and had given her the freedom that she needed so much to make it through the week days of her life.

Autumn had chosen a life of compromise: if she had the weekend of her choice she would endure the other five days of the week. She felt that she had no other choice than compromise. There were no shades in her black or white, it was prison and escape and back to prison again. She lacked the imagination or the will-power to make her freedom an everyday occurrence. By accepting what she saw as her fate she gave up on seeking for anything more in life. 

Saturday nights were for lighting the log fire and curling up on the couch with the dog and a book. Dinners would be fresh vegetables cooked into soups and stews and salads over the stove, herbs picked from the garden and tea made from lemongrass and honey. Produce was always purchased locally, from the farmers, or picked directly from the vegetable garden amidst the hibiscus flowers. Autumn’s choice of a book was so very eclectic, but she would always finish at least one during the weekend, another form of escape. Escape within escape, so that what was considered by most to be her real life was completely forgotten for hours on end. What was real life anyway? The job that she hated and that took up most of her days, but that paid the bills and allowed for short getaways, or the life in her place by the bay, away from everything and everyone, where dreams could be dreamt without any guilty feelings?

Autumn would walk down to the ocean on Sundays, never mind the season or the weather, to sit by the waves and watch them crash against the shore. The ocean made her feel serene and energetic at the same time, and helped her collect her thoughts and her doubts together, and make sense of them. There is nothing more powerful than the ocean – it will pick you up and throw you about without fail, and will take anything in that you throw into it, swallowing it whole and throwing it back up miles and miles away, somewhere else in the world. Some things never come back up, they are swallowed forever, and disappear into the earth. Autumn would imagine all of her fears disappearing into the darkest parts of the ocean where no one would ever think of looking for them. Or maybe they were swallowed up by a shark and shredded into a million pieces, never to be found again. Every week new fears and doubts were thrown into the waves, some disappearing, others coming back again, weeks later.

Whereas the ocean was the beginning of all feelings of freedom for Autumn, it also ended up being the end of it for her. Autumn’s life was divided into boxes, all enclosed by one big box; a small box for her city prison, a bigger box for her free life and tunnel boxes that lead the way to both boxes. There was no sign of a tunnel to go outside of the biggest box, it was one that Autumn had forgotten to build for herself. There was no outside, there was just the city and the special place, just a train ride away. A week day life and a weekend life, nothing else, carefully built so that nothing ever felt out of place. Even her freedom was built to last only parallel with the prison life. The ocean would take and take from her, but it would also give her back something that she had not even tried to imagine existed anymore: something outside of all of this.

One Saturday night, on a rare night when Autumn found herself stuck in the office, working on a project that needed to be finished before Monday morning, the rain started to fall. And fall, and fall, and fall. By Monday the rivers had washed up over the borders, and were racing through the lower parts of the city, picking up cars and debris and trailing them along the streets. Television showed scenes of chaotic winds, trees falling and electricity pylons rooted up from the ground, leaving thousands and thousands stranded without power and water. On Tuesday the storm dissipated and the sky became blue again, washed clean of the anger nature had unleashed on the country. Whereas the city had weathered some damage that would take time to fix, Autumn’s special place had been reclaimed by the ocean. Where she had once walked and ran with the dog, watched the sun rise and set, read books and picked flowers, were now only fish and waves and the odd roof and boat floating about before it was dragged into the midst of the ocean. The special place was somewhere down there, among the fears and doubts that Autumn had sent into the water. The ocean had taken Autumn’s self-created freedom but had thrown her something back: the ability to make a choice and a change in her own creation. Instead of living in the self-contained box for the rest of her life, content but not happy, she now had the choice of breaking free. It was now up to her to make this choice.

When one thing disappears another thing is not far behind to take its place.


Ramblings: Of utopia and dystopia and other random thoughts

In addition to reading a lot of poetry lately, I've also been craving a lot of end-of-the-world, beginning of the next world, paradise is not quite paradise, dystopian-style stories. Utopian thoughts are all cool and everything, but I have a lot of trouble imagining the perfect society where everyone and everything follows some kind of unwritten rules of perfection. Can we really believe that one day every single human who is on this planet will decide to treat everyone else as equals, never hurt anyone else, and never lie, cheat or try to better themselves by oppressing others? No. This is why this is called Utopia. Perfection doesn't exist. We are all flawed and will continue to be flawed. I can live my life treating everyone in the way I would want to be treated myself, but that doesn't mean that everyone else is going to decide to do the same. All of a sudden just because the world as we know it is going to end.
There has been talk of the end of the world coming soon for years now. We missed it in 1999. Last year the Rapture was supposed to happen. It may have, but it went by unnoticed because I suppose that most of us were not worthy of being raptured. Now the end of the world is supposed to be happening again this year. People are really preparing for it (I kid you not, I know someone who is collecting tins of food and making evacuation and survival plans for him and his family). All I could imagine when he was telling me this were scenes from Zombieland. He also told me that I was pretty much fucked because I lived on an island with 8 million other people and it would be pure chaos when it all started. I don't know what "IT all" is in his mind but I'm not getting too overly worried about it right now. All I have been thinking about in terms of survival mode is that I should probably start stocking up on bottles of Jameson and packets of Marlboro Lights, because I am sure they will be worth tons of money once people can't get them easily anymore. That's it, I shall continue to sell liquor to people to make a living in the midst of a world of destruction and despair. Smart, no?

So, this book I am currently reading, America Pacifica by Anna North, is based on the idea that the world was going through the second Ice Age, and that a small group of people (small being proportionate to the size of the world population at the time) were able to escape the ice and the perpetual freezing temperatures by fleeing to an island in the Pacific, and making a new home there. What should have been a new life for this group of people becomes a mini-replica of the US, governed by a dictator. There are those who live as rich and healthy in the nice areas of the island, called Manhattanville, while others struggle to survive in the slums of Little Los Angeles. Proper food is scarce for those who cannot afford it, and they live off fake cheese and jelly fish products. The main character, Darcy, was born on the island, and knows nothing of life beforehand. For her, this is life. But through-out the development of the plot she starts to discover what life was really like before the ice destroyed everything, and she begins to question the set-up of the society that she has always taken for granted. I haven't finished the book yet, so I don't know if it ends in a lighter note than it started in. We will see.

This society could be anywhere really - it's not too far-fetched if you think about it. There will always be those who just live, accepting that this is life, others who will question, and those who will actually stand up and try to make a change. There will always be those who are more well off, and those who have to fight every day to just survive. I just find it really interesting to read fiction that is so near to reality that it could be real. One day in the near future this may be us, stuck on an island in the middle of the Pacific Ocean, wondering if all those people we used to know made it off the mainland, or managed to survive despite all odds. I really want to write an end of the worldesque story right now, but I don't actually know where to start. Maybe with the stockpiling of Jameson and Marlboro Lights...

On a more lighter (and happier note), I finished a compilation of poems written between the early 2000's and last week. If you want to read them you will have to ask me and I will email them. I can't post them on here, they are just too personal and raw. And I lack the confidence to do that. I also got offered a new job, working right next door to my other job. It's pretty much perfect and I'm really really happy about it. More about all that when I have actually started working there. I also bumped into an old friend who I hadn't spoken to in months, sorted out our differences and realised how much I had missed her. This has been a pretty wonderful summer so far, even if the end of the world is (apparently) nigh.



Literature/Poetry: Megan Falley


Poetry and I have a love/hate relationship. There will be days that I will only read poetry, and then I won't read any for months on end. Sometimes even years. I have written my own poetry from the darkest days of my early teenage years, and then of and on in splurts. All of these poems are hidden within journals and books, and sometimes I come across one that I had forgotten I had written, standing out on a page, in my scrawling handwriting. I stare at it with surprise, and then with recognition. Ah yes. You. I remember you.

I've been inspired lately. Not only to compile some of my own poems (more about that another time), but to write poetry again, and especially, to read it. Around the time that all this started again I picked up Megan Falley's After the Witch Hunt at the book store I work at, after one of my colleagues had recommended it to me. I started reading it on the train home, and nearly missed my connection stop. You know that feeling of being punched in the stomach and completely elated at the same time? The feeling of all of your senses buzzing against and with each other, vertigo and stability at once? Yes, that. You can open the book on any page and will probably need to hold your breath while you live through the poem. Live, laugh, cry and breathe against until you start on the next one. Each poem inserts itself into your brain and your heart, melds with your own experiences and life and tells you how it is. Out loud, raw, beautiful, personal but universal all at once. A voice that could be anyone's, but has the talent to create lines of words that are so intensely woven together that it is difficult to pull yourself away and forget what you have just read. I know I sometimes overuse the hyperbole, but, honestly, I am not exaggerating here. Megan Falley is just brilliant. And so inspiring.

I want to post lines from all of the poems in here, but for that you can just head over to Megan's website and/or buy her book. I'll just post some lines from Rain, the ones that I felt touched me the most today.

Give me that stupid, reliable cloud
because it might be the only thing
that never leaves

Because being only happy
is like having just one crayon - 
even if it's the prettiest crayon,
it sure gets boring.

Give me that cloud.
Give me this ache that lets me know
I'm alive.

Megan Falley's website
After the Witch Hunt

Ramblings: A visit to the Post Office


Going to the Post Office around here is always an experience. I’m not going to add an adjective here, the word “experience” explains it pretty well. I live between two post offices, each about a mile away in distance. I tried the one that is a little closer (one subway stop walk away), down by Flushing on Debevoise St once. Never again. I stood in line for about an hour, while people kept pushing past me because they “only needed stamps”. Great. I “only needed to mail a letter abroad”, but that obviously didn’t mean anything.

So I tend to go to the one that is two subway stops away, on Gates and Broadway. The line is never too long, and the employees are really friendly. Which always surprises me a little, because every time I have been there there is always a customer causing unnecessary drama. Late last year I sold a load of clothes on eBay and was waiting in line to send a bunch of packages when a woman started screaming (yes, screaming) at a Post Office employee, because her social security card hadn’t arrived in her mailbox and because of that she had nowhere to stay that night. Within five minutes we had heard her whole life story twice, because she demanded to see a manager, and had to scream the whole story all over again. I don’t know if she thought that the manager was going to magic her social security card out of thin air, or miraculously create it for her, but I didn’t stick around to hear the end of the story. The screeching voice started to give me a headache. There was another time I was there and one guy held the line up for about 20 minutes because he needed to repack his package in a smaller box so that it was cheaper to send, but wouldn’t let anyone be served while he was repacking the stuff. Today someone started yelling at one of the employees because his package wasn’t there. For 15 minutes he bitched and raved about how everyone was so rude and had stolen his package, until he realised he was at the wrong post office. People really need to read things correctly before exploding into a tirade of expletives at some poor employee.

Which reminds me… What is this deal with the Priority Mail package boxes?! The “large” one is no bigger than a shoe box! One of my close friends lives in Brazil, and due to the insane import taxes slapped on to anything purchased outside of the country, she had a pair of boots sent to me, which I was then going to send on to her. I didn’t want to just send the Steve Madden box along with her address stuck on it (sure fire way for the package to disappear somewhere between here and Rio), so I grabbed a “large” box and repackaged the boots in it. When I got to the Post Office I was told that it would cost $60 as I had used a “large” box, but would only cost $40 if I used a “regular” box. There was no way the shoes were going to fit in a “regular” box (maybe they were made for sending a small book, because that’s all they will fit), so I had to just to sigh and go with it. And anyway, I didn’t want to be THAT person taking everything out of one box and shoving it in a smaller one, just to see that it would never fit.  Smart way to make you pay more than you thought you were going to pay.

I asked the woman helping me if it would be possible to have a tracking number. Her response was that it wasn’t possible, because there was no reliable internet in the destination country. In BRAZIL?! I wasn’t sending the boots to someone in the middle of the rain forest in the Congo! I was sending them to an extremely large and well-known city called Rio de Janeiro. I didn’t say anything because she gave me a customs tracking number which is all I really needed anyway. But come on… No reliable internet in Brazil?! I honestly feel like the Post Office here is still stuck in the 80’s and is having a lot of trouble catching up with today’s world. But in the end I would rather still use them that FedEx or UPS, because they are cheaper (even with the inflated box prices and the little add-ons they convince you to get every time you go there to buy a stamp). Thankfully today’s experience only took about 20 minutes and I was able to get out of there before another person came in to shout abuse at the staff. 

Oh… Has anybody tried using the machines that they finally have in some of the post offices (not in Bushwick yet, but I have seen them in some Manhattan locations)?! They are SO hard to use. Why on earth can’t you send multiple letters and packages without having to pay for each one separately?! Such a waste of time! I am so glad that nowadays I only have to go to the post office a few times a year… 


Ramblings: Every day is like Sunday


I used to hate Sundays. Friday nights were amazing because I had (sometimes) two full work-free days and three nights ahead of me, where I could let go and do all of the hundreds of things I never had time to do during the week days. But as soon as I would wake up on Sunday mornings I would start worrying about Monday morning. As each hour passed by I would think about how I had one less hour of freedom to enjoy. In the winter I would try to think of activities to do to take my mind off the impending doom that was going to bed, in the summer I would escape to the beach and secretly hope that the world would end before Sunday night approached. But it always inevitably happened… The night would close in and I would go to bed early, knowing full well that I would be plagued with stressful nightmares about missed deadlines and insanely long conference calls that never lead to anything concrete. Project plans would fly through the air and damage control emails would scroll through my mind, amidst dreams of machete-wielding men in suits chasing me through forests and deserts. Escape would only come when I awoke, and pulled myself out of bed to face the Monday morning commute and emails that would have come in during the weekend and the early morning hours.

Nowadays I love Sundays. I work most Sundays during the day at the bookstore and sometimes Sunday nights at the bar. Sunday evenings are for relaxing with friends, hanging out on the Lower East Side, staying out late and not worrying about having to get up early on Monday morning. Summer Sundays are for sitting outside and smoking cigarettes while chatting with friends, walking over the bridge during a storm, drinking ice cold drinks inside bars and eating ice cream at 4 in the morning. Winter Sundays are for going to late movie showings and eating too much popcorn and walking back home in the cold wind for a long, uninterrupted sleep, no nightmares or stress-related dreams on the horizon. The only work-related dreams I have nowadays are the occasional my-bed-is-in-the-bar and I need to jump out half naked to serve people pints of beer. These people have been members of Portishead and the cast of Buffy, as well as the usual regulars I serve on a daily basis. Sunday night nightmares have turned into Sunday night peaceful dreams.

I used to listen to Morrissey’s Everyday is Like Sunday on repeat on Monday mornings, and it always struck a chord: Sundays always felt so grey and dismal because Monday was coming up right behind her, always there in the shadows. Now I just listen to it and it makes me feel happy, walking barefoot in the sand on the beach, listening to the waves and feeling free. Nowadays every day is like Sunday, work or not, every day is different and the same all at once. Some things are never constant, but one thing is, I usually wake up with a smile. 

Ramblings: Summer in the city

It's summer, my favourite season of the year (closely followed by early autumn, spring and then, last of all, winter). We didn't really have a winter this year, and spring was a strange one too, but this summer has already been a scorcher, and we are only half way through July. I've already had my holiday this year, so I will be spending the rest of the summer in NYC, working and hoping to make it to the beach as often as possible. I love the heat. Granted, I prefer dry heat, desert heat, but I would much rather be sitting around the humid heat in the city than having to climb over piles of snow that a blizzard left behind in the winter. I'm not working as much as I was before I went to California, so I am planning on making the most of my time off and going outside.


I hear people complaining about being "stuck in the city" over the summer months. I don't know how you can be stuck here. If you want to get out of the heat the nearest beaches are only a subway ride away. There are Coney Island and Brighton Beach for those who don't mind tons of people and not-so-clean beaches, as well as a really cool boardwalk and amusement park (everyone needs to ride the Cyclone at least once in their lives, although once is probably enough). My preference has always been the Rockaways and in more recent years, Fort Tilden. If you need shops and bars and restaurants and public restrooms nearby you should probably stick to the Rockaways (Rockaway Park, the last stop on the A shuttle train being my favourite), but if you prefer wilder beaches where nobody is going to bother you (i.e. where you can drink, smoke, bring dogs, go topless etc), then Fort Tilden is just a short 10 minute bus ride from Rockaway Park. Just remember to bring food and water, because there is nowhere to buy it there. Fort Tilden starts just after Jacob Riis, and you can walk all the way down to Breezy Point if you want to. It seems to have become more and more popular over the past few years, but I tend to go during the week where it's more bearable than the weekends. I even slept on the beach overnight last year - not really allowed and to be honest, a little scary - and I probably wouldn't do it again, but it was definitely an experience worth its while - see my blog post about that night HERE. Outside of the city beaches there are many, many others that are only an hour or so away on the LIRR, my favourites being Smithpoint and Montauk.


I'd rather go to the beach than to a pool in the summer, seeing as there is nothing better than jumping in the waves and running in the sand, so I've never really checked out any of the public pools in the city. Now that the McCarren Park Pool is open again (and it's free), I suppose that would be a place to go if you want to swim (although it's probably going to be packed and full of screaming kids on summer holidays so I am going to give it a miss). I wish public pools were open at night - I love swimming in the dark, even if I tend to freak myself out with irrational thoughts of great white sharks hanging out in the pool, just waiting to bite my legs off. The shark thoughts are a recurring theme in my life - every time I am in water I think about sharks following me. I should probably avoid going to any location where sharks really tend to hang out... Although I still dream of going to Hawaii one day, and living in a garden full of hibiscus flowers by the beach...

Summer is always going to be the time when you can walk around in as little clothing you want without feeling self-conscious, dive into cool bars to get out of the heat, stay up until the sun rises and watch it from your rooftop, have BBQs on rooftops and in tiny back yards, sunbathe in the parks, jump through open fire hydrants with the neighbourhood kids (yes I do do that), make summer playlists and listen to them on the way to the beach, eat loads of fruit and vegetables because it's too hot to face any heavier foods, eat tons of ice cream and gelato and walk around the city during a summer storm, jumping in puddles and hoping that the rain will bring a slight relief from the oppressing humidity (it never really does). It really is my favourite time in the city which is why I will always continue to go on holiday before or after the season starts.

I'm going kayaking down the Delaware River later this week, and we will probably camp by the river too. I will hopefully not fall in and be unable to pull myself back into the kayak again, and will also hopefully not be eaten by a bear (although I would love to see one). I'm more likely to be eaten alive by mosquitoes though! I think I have already decided to leave my phone in the car on this trip - it will be quite nice to not be reached for a day... 


Short Story: Wine Days (aka La vie en rosé)

Wine Days (aka La vie en rosé)


Tout seul dans mon placard
Les yeux cernés de noir
A l'abri des regards
Je défie le hasard
Dans ce monde qui n'a ni queue ni tête
Je n'en fais qu'à ma tête
Un mouchoir au creux du pantalon
Je suis chevalier D'Eon – Mylène Farmer, Sans Contrefaçon


“First stop at Hannibal-qui-n’est-pas-Hannibal for the wine, then Place Victor Hugo for Berlioz!”

“It’s been too long; we have so much to tell Berlioz, so much!”

Red wine for the winter days: dark and warm, stains your lips red and leads to a darker and thicker drunken state. Red wine to warm the soul while running around the streets of the town in the cold days, sometimes Port on a rich day, but mostly red wine of low quality, no more than 15 francs a bottle from the usual épicérie on the corner of Les Halles. White wine for the spring and the summer, fresh from the fridge if possible, but it’s not too much of an issue if it’s warm as it’s all going to be gone pretty fast. One bottle for now and another for the bag, as you never know how long of a night it is going to be.

It’s always important to eat before drinking, because you don’t want to get sick, especially if you don’t have much money and are leaning towards the cheaper bottles, or even the plastic bottles of near-vinegar if the finances are severely dire. Bottle opened in hand? Ready to go!

Place Victor Hugo, where our old friend Hector Berlioz resides in the form of an imposing statue, looking over the fountain and the people who walk through on their way elsewhere. This is where the Christmas market is held in the winter and where children jump through the fountain in the summer (as well as the occasion child-adults such as me). Who hasn’t jumped into a fountain and walked home soaking wet but laughing gleefully? Or maybe that is just me…

Mélusine and Marie-Antoinette, off with her head, skipping hand in hand down the old streets of the city, a bottle of wine in each hand and hundreds of ideas and thoughts racing through our mind. Berlioz is the beginning and the end; he listens without judging, never moves and never leaves us. The first bottles are opened at his feet and the race towards l’ivresse commences.

Sometimes in life we are lucky enough to find that perfect friendship that makes you feel free. When I met Mélusine she was shy and hid behind her hair in the corner of the bar. My friends would try to get her to join us, because she was beautiful and sweet, but she would not say more than one or two words at a time, until I gathered her up and took her with me along my own journey on a path I didn’t know existed. We discovered a mutual love for female-fronted punk and grunge bands, strong coffee, wine, 19th century literature and decadence, as well as playing hilarious pranks on men and women who we found annoying, insensitive and stupid. There were many of them around at the time, and they tended to congregate around us and our little group of misfits.

I had grown up with my group of friends, mainly men with a few girls who came and went as time went by. Mélusine appeared out of nowhere and stuck with us, becoming my best friend and favourite companion, someone who I could talk to about things that I couldn’t talk about with the guys. Crushes, love, sadness, fear and loneliness: the topics of misplaced childhood and youth. We were both shy and suffered from low self-esteem alone, but together we thought we could conquer the world, reaching the lowest pits of despair and the highest peaks of happiness together. Mélusine listened to me cry as I comforted her through her darkest days. I listened to her laugh as she held my hand when we skipped through the sunshine, picking daffodils along the way. Did you know that there is a fine for each public city flower picked? We are lucky that we were never caught because we would walk around with bunches and bunches of daffodils in the spring, leaving a trail behind us.

We were like polar opposites physically. Mélusine with her long, blonde hair and green eyes, me with my long, brown hair and dark brown eyes, but we were of the same height and similar skinny builds. We both dressed alike, although Mélusine was more understated than me and liked to hide underneath large layers. Ribbons in our hair and long red nails on fingers covered in fountain pen ink from all the writing we would do. Letters to others, letters to each other, university papers and diary entries were all written by hand in ink. Babes in Toyland in our ears and Fluffy lyrics flying from our mouths when we were angry drunk, Mylène Farmer when we were happy drunk. We liked to sing to Berlioz when we started to feel warm and fuzzy inside, before going on our way towards the adventures of the night.

Si je dois tomber de haut
Que ma chute soit lente
Je n´ai trouvé de repos
Que dans l´indifférence
Pourtant, je voudrais retrouver l´innocence - Mylène Farmer- Désenchantée


Café St Germain and then wine by Berlioz. One bottle finished, the next one opened and then en route pour l’aventure! Every night was different, we never knew where or what the stars would lead us to. Some nights we would roam the streets of the town, looking for parties to crash, other nights we would meet our friends at one of the local hang-outs, some nights we would go to the coureur de jupons apartment and invite everyone we knew to join us and other nights we would sit by the river talking about how much we despised everyone and everything and how life would have been so much better if we had been born in a different century.

“I want to kick that door down and tell them to stop hanging around those awful people. I want to punch that girl in the face and tell her to stop trying to be my friend because I despise everything that she stands for, stupid fucking hippie!!”

“Why do they all hate us so much? What the fuck is wrong with us?? I wish I had enough strength to tell people how I felt. I mean, I wish I could tell HIM how much I love him. All I can do is watch him out of the corner of my eye and listen to you and him talking about natural things and I don’t even dare open my mouth.  I hate myself!”

“Oh darling, stop beating yourself up about this, you know what he is like. He only goes out with girls who he can manipulate into doing what he wants. Those girls are like Rapunzel in their towers, waiting for him to come home after he has been out all night drinking with us. Do you want to be that girl? At least we are free to do whatever we want and say whatever we want… N’est-ce pas?”

No one had cell phones at the time, and we all used to find each other at some point during the night. There were a few spots where we would always end up, usually besides one of the many fountains or statues in the city; or at the barDock for an electro-goth night or at the venue if there was a concert on, smuggling our wine into the venue and drinking it in the toilets. If we found a house or apartment party going on somewhere we would wrangle our way in, pretending we knew one of the people there, make a beeline to the fridge and walk out with any alcohol we could find. The town wasn’t that big, and the center, although full of winding streets, was small enough to find whoever you needed to find, and big enough to hide from those you didn’t want to see. Mélusine and I tended to read each others’ minds, and our first concern was always the welfare of the other. Our friendship was one of such closeness that we could always feel when the other was in difficulty or danger. We loved the same men but never fought over them; we hated the same people and pushed each other to find the biggest and best pranks we could play on people.

I was a wild shy child, alcohol helped me lose the cloak I shrouded myself with and gave me the power to be myself in front of everyone. Alcohol gave Mélusine the force to lose her inability to speak in public and brought out her real personality that you would only see when she was completely comfortable in a group of people. It took her a while but she ended up feeling comfortable with all of us, throwing witty and funny comments out here and there, and surprising the people who had already put her in the “blonde-who-doesn’t-talk” box. I was just completely erratic, sometimes nice and friendly and sweet, other times sad and depressed, other times angry and sarcastic and rebellious. People tried to analyse us, judge us, become friends with us, tag along with us because they were feeling adventurous or talk shit about us because they didn’t dare be us. Most of the time it was Mélusine and me against the world, often with our male counterparts, poets, rebels, musicians, full of ideas and despair, discontented and angsty, wondering when the world would change for us.

Slutkiss girls
Won't you promise her smack?
Is she pretty on the inside?
Is she pretty from the back? – Hole, Pretty On The Inside


Mélusine came from a strict family and would constantly lie to her parents about her whereabouts and her friends. She stayed at my house whenever we went out, as I benefitted from a very free-spirited mother who trusted me to be safe and not to end up in a ditch somewhere, and, however much I drank or however much I smoked, I always ended up home, safe in my bed. We avoided drunken one night stands and we avoided dangerous situations, preferring the company of each other, our bottles of wine, our friends and our songs. There is really nothing to match that slow but steady warm and tingly feeling that starts in your stomach and rises towards your head once you start drinking, and once you start there is no going back… One, two or three bottles and the party is on.

My lie is true, My lie is true
It is I swear to you
My lie is true, My lie is true
It is I swear to you
You don't want to
You don't want to see me crawl
Do you know how hard I try
To never let you see me cry
I seem to have too much control
and now I feel cold – Fluffy, Crawl


“I want to leave this godforsaken city and move to Paris. There is nothing for us here except the deep, dirty waters of the Isere and the unrequited love of the boys who consider us to be just that: female versions of them. At least in Paris we can fade away into the crowd and not have to put up with all of this crap every day.”

“Let’s plan on moving there once we have finished university. We won’t tell anyone, we will just go and find new lives there. A little apartment in Montmartre, jobs in the bars around there, maybe we could sell books by the Seine and meet the loves of our lives there? I’m so bored of this town, nothing ever happens here, no one ever changes and no one ever falls in love with me. Or if they do I don’t know about it, because I’m obviously still single.”

“Dreaming… Dreaming… Dreaming of something else. But is there anything else?”

Every day was filled with written words, every night filled with singing and shouting, laughter and tears. Freedom was easy, but we still felt trapped in the town we had grown up in. Brothers and sisters in happiness and despair, so far but so near. Wine days make everything so much better, and wine nights are full of surprises. La Décadence.

 « Le vin, la moyenne de facilite de partir, partir loin d’aujourd’hui. Tout le monde il est beau, tout le monde il est beau… Le lendemain est moins euphorique, mais il reste toujours le lendemain soir et le soir après etc, etc, etc. Devenir fou ? Nous le sommes déjà… L’alcool aide à libérer nos grains de folie, de les faire voler, voler au-dessus de tout, dans le ciel noir et nuageux. Tout est mieux que la lucidité affreuse. » M.V.

Short Story/Essay: Paradise Within


I actually wrote this for something else, in the hopes that it may be published there, but once I had sent it realised that I just wanted to post it on here too. So I waited a while and am just going to post here anyway, while I am sitting in my Mum's house in California on vacation, another spot in this world that I consider as slightly paradisaical in itself... Sunshine, palm trees, pure calm and relaxation, food directly picked from the garden and thrown into a salad or onto the barbeque... The theme I was writing for was Paradise, and this is what I was immediately inspired to write.



Paradise Within
I used to live in Paradise. But before I arrived in Paradise I lived in a place I can only consider as Hell, created by the people living on this planet around me and by the pitfalls of my own mind. I don’t live in Paradise anymore, but I live in a world that I have created for myself, part beauty and part darkness, part love and part evil. I call this my real world, and hope that I was able to bring some of my learnings from Paradise back to this world of mine.

Hell was the place I lived in just after 9/11. Watching the planes crash, the buildings plummet to the ground and imagining the horrific death of all of those people shifted my once idealistic approach of the world to one of terror and doom. How could I make any type of difference against a big machine of war that our planet was gearing up towards? Growing up at the tail end of the Cold War had been bad enough, but the fall of the Berlin Wall and the end of nuclear threats gave us all hope that this world could become a better place if we tried. That is, until other forms of terror appeared, from both sides of the spectrum. 9/11, cumulated with the fact that I was writing my MA thesis on Sylvia Plath, led me to believe that Plath had had it all sorted and life under a Bell Jar was the only option for survival.

Hell was being scared to leave the house, panic attacks and acute weight loss, days of not being able to get out of bed, and nights of leaving my phone off the hook to avoid the constant phone calls and messages from my friends, worried why they hadn’t seen me and why I wasn’t out with them. Hell was a constant underlying anxiety of the unknown, and fear of never being able to rid myself of these feelings and feel happy again. Then Hell just became numbness. I came upon a crossroads: either I continued along this road or I chose to make a change, rip myself away from familiarity and throw myself into the unknown, where I would be able to lose myself, and where nobody knew me.

The flight to Paradise was long, and the first few days I was there were ones of complete panic, hidden by my creative ability to appear as calm as possible while my insides were churning. How would I ever be able to communicate with the people when I couldn’t even read their alphabet? Where would I know to stop on the bus in the middle of the desert where everything looks the same and different at the same time? How could I make sure that the food I was eating was really vegetarian? Who could I trust and who should I watch out for? And then I just let go. We humans have many a survival instinct, and I just let mine take over, in essence freeing myself from everything that was holding me back, and opening myself up to a brand new experience that would ultimately change my world.

Paradise was a country built on war, pain, love and passion. A place where the south was mainly desert and the north mainly green, where the sun would beat down on you during the day and the stars would shine brighter than I had ever seen them during the night. Paradise was where I lived among free spirits by the sea, working hard during the day, planting food that would be sold abroad once it was ready, making irrigation pipes for export in the factory, cooking food for over 500 people, serving it up and cleaning up after everyone. Paradise was where we would sit down after work and talk about our lives, a group of people from many different countries and cultures, brought together for different reasons, living together and coping together. No one goes to Paradise without their own personal reasons and expectations, and everyone leaves with some questions answered and new feelings that they never thought existed.

Paradise was the home that I made for myself among these people. Paradise was the ability to be myself and learn that I was a natural leader among others. Paradise helped me discover so many things about myself, helped me discard some of them and cherish others. Paradise taught me that it was OK to love, and that it was OK to get upset. If you don’t talk about what you feel and keep it all bottled up inside, it will only lead to explosion and damage. Paradise was the place where I learned that I could be passionate and that I could believe in a better world. Paradise helped me become the person I am today. I will always remember standing on the beach, with the little waves touching my toes, holding hands with the person I loved and imagining a future that would be full of warmth and sunshine. I let go and at the same time finally let people in.

I always knew Paradise couldn’t last forever, and when I had to leave I had already made up my mind to bring it back with me and plant those roots wherever I ended up. Seven years ago I packed my bags again and went off into the unknown and never left. I knew I had nothing to fear anymore. I planted my little roots here in the city, and let them grow deep. Every time I meet with fear, loneliness, pain and heartbreak I walk to the ocean and wash away the intense need to rip up my roots and run away. I let the ocean remind me of the days I spent in Paradise and the times that I learnt to trust myself and others, and go back to my real world revived and ready to fight any more battles that come my way. Life is a constant challenge and battle between highs and lows, pain and happiness and choices. The important part is to remember to be strong and to find the happy medium between the extremes.

Paradise does exist, and I will always carry a piece of my Paradise around with me, wherever I go. Whatever your paradise is, I promise that you will find it one day, maybe even create it for yourself. I’m happy in my real world nowadays, and always know that I can return to Paradise if I ever need to.

On disappearing acts (an explanation of sorts)

Ten months ago I changed my phone number, disabled my Facebook account and put a block on a bunch of emails that could come into my gmail and yahoo accounts. I disconnected my Skype user name and put all of my IM accounts on "invisible". I then let about 6 people know what I was doing and gave them my new number. This all coincided with the weekend that the Hurricane Irene was supposed to hit New York City.
I didn't need to explain why to the people closest to me at the time, they understood what I was doing, knowing full well that once I had made my decision I wasn't going to change my mind. For the rest... They either understood it or didn't, and that was that. I know full well that I hurt some people, people who cared about me, and were actually worried about me, but there was honestly not much else I could do about it. Actually rephrase, there was not much else I wanted to do about it.

Selfish? Completely.

That doesn't mean I don't feel guilty about it. I lost some very close friends through it, people I really cared about, who had mostly been there for me over the six years I had been in New York. Some, surprisingly, didn't skip a beat and just continued to stay in touch, others reached out once and then never again, and others never contacted me again, even when I re-enabled my Facebook account. I don't blame them - I don't know for sure how I would have reacted if someone close to me had decided to disappear in the same manner. However, I will not blame myself for what I did either. I do blame myself for letting it get so bad that I felt that the only way out was to disappear for a while, but that is just a lesson learned. Sometimes a radical change is what is needed to get back on track, and although I caused some damage, I also saved myself from causing even more damage.

I don't even know if I am going to post this entry yet. It may stay stuck in my drafts forever, or it may fall into oblivion amidst other posts. I just feel, after 10 months, some need for an explanation on my part, although I still continue to believe that it was the best move I could have made for my own sanity. I'm not very good with confrontation (although I am getting better), but I'm not good with telling people how I feel either - it's easier to listen than to hope someone is listening to you. From there, it's also easier to hear than be heard, especially when you don't have a very loud voice.

Seven years ago I moved to New York City for a job I thought I needed to take, hoping that one day I would be able to move nearer to my family in California. I fell in love with New York, and decided to do my best at the job, in order to be able to stay and make a life for myself in the city. Some days I loved my job, some days I hated it, some days I was indifferent. Until the stress started to take it's toll. For anyone who has worked in account management in a service-providing firm in this city you know the deal: late nights, early mornings, 80+ hour weeks and constant emails and phone calls, even when you are on vacation. Couple that with someone who loves the nightlife, then you have a pretty immediate problem: alcohol. I blamed the work stress to be my cause of drinking excessively, and then when I stopped drinking, I just dove deeper into my job. For some reason I needed to make it work, and "No" was never an option. A new project on top of the many I already had? No problem. Conference call on Sunday night at midnight because the website had to go live that night? No problem. Working on cost estimates during my vacation because no one else could do it? Um... No problem. I'm not blaming anyone on this - I could have just refused to pick up the phone, and/or just said NO. I didn't.

Ten years ago all I wanted to do was finish university and write for a living. Nine years later I found myself in a job I had begun to despise and a life I didn't want anymore. I went to California for 10 days last summer and rediscovered my passion for writing. When I went back to work I felt like I was walking in a thick haze of doom, and the only thing that would actually revive me during the day was writing on here. So that's how I got through my days: wrote on my blog and bullshitted my way through conference calls at work. Every morning I would wake up feeling the dread that hadn't dissipated with a short night's sleep, and my subway rides to work would consist of me dreaming up elaborate plans on how one could die without much pain to get out of a prison I had created for myself and/or other dreams moving back to England or France where I could work without a visa, although that would mean leaving my life behind in NYC. Then came the earthquake and the impending hurricane that was bearing down on us. On the Friday before the hurricane was supposed to hit I was asked to work on something over the weekend. I was already about 50 hours of work behind, and something just snapped. While tears were falling on the notepad in front of me I just decided to leave. I wouldn't be coming back on Monday. Done. I didn't care that I didn't have another job, or that I didn't have a green card, or that I didn't have any savings. That was it. I couldn't set another foot in that office again. Enough was enough. I had tried to leave so many times, but I couldn't do it. In my mind this was the only way.

On the Saturday I opened my email at home for the last time, created a "coverage" chart with all of my projects and saved it to my remote desktop. On the Sunday I wrote an email to my boss explaining that I wouldn't be coming back, had a friend review it and edit it, and saved it in my drafts. Then I moved on to the disappearing part: I changed my phone number, disabled my Facebook account, blocked any emails coming into my gmail account, and sent the email to my boss, attaching the coverage chart. There is only one reason for my disappearing act: I didn't want anyone to try to change my mind, because I knew that they would. By blocking all forms of communication I was avoiding any confrontation, and avoiding any type of explanation on my part. My mind was made up. I woke up on the Monday morning to a beautiful blue sky and for the first time in what felt like months I could breathe freely. I know there were other, more mature and professional, ways of doing this, but in my head at the time there was no other way. And you know... I think subconsciously I wanted to create some kind of dramatic exit, just to make a point, although I don't even know if there really was a point left to be made. I don't do drama very well, but when I do, I guess it's on the bigger scale of things.

Going off the grid for a while was the best thing I could have done for my own personal mental health. Not just from a leaving work perspective, but also from a more general in-the-life of Jade point of view. It helped me start to focus on my writing again, and forced me to start looking at actually living my life, rather than just going through the motions. I realised that I was able to survive without a permanent salary, and that I was capable of starting over again, and finding out what I really wanted to do here, in this city. I'll never regret doing what I did, but I do still feel guilty about it.  

I guess I just want to throw an apology out there to anyone I may have hurt in the process. I know who you are, and you know who you are. It may or may not matter anymore, but it does matter to me. I would not recommend such a radical change to many people, but I felt at the the time that it was the only way I was actually going to be able to get out of my own personal hell and move forward with my life. And that's the last I am going to write about this - in the end this is my own forum for self-expression, to be read or unread by others, and I suspect this is just another form of selfishness on my part, because I needed to get it off my chest for once and for all. Being completely, 100% selfish is not always a bad thing - sometimes you just have to be that way. Sorry.

Ramblings: The Metaphor


 One year at university my Linguistics progamme demanded that we study all different types of figures of speech and be able to pinpoint them in any type of text. The exam consisted of a list of quotes and we were asked to name and explain the figure of speech. So, of course, I learnt all of the definitions by heart 24 hours before the exam, got about 99% right and then proceeded to forget a lot of them after the fact. This exercise only really matters to those who are actually going to continue either teaching Linguistics or literary analysis, or, maybe, to those who are going to write excellent forms of literary compositions.  I've written a lot of poetry over the years, more than anything else really, but I doubt that I will let anyone read many of my poems, mainly because of the fact that I studied so many brilliant poems through-out the years and never thought that mine would come anywhere near the brilliance of them. I still don't think they will. I wrote my last poem in 2010, sitting by the bay on Long Island, and I doubt that I will ever write one again (although I should probably never say never). The last ones sound more like song lyrics than poems anyway (but then again, they are so very close in nature, lyrics and poetry). I always blamed my writing of poetry on my laziness to write stories, and I always blamed my giving up on poetry on the existence of figures of speech, mainly the metaphor. Why? I'm still trying to figure this out myself.



The Bedford Glossary of Critical and Literary Terms defines the metaphor as "a figure of speech (more specifically a trope) that associates two unlike things; the representation of one thing by another. The image (or activity or concept) used to represent or "figure" something else is known as the vehicle of the metaphor; the thing that represented is called the tenor. For instance, in the sentence "That child is a mouse," the child is the tenor, whereas the the mouse is the vehicle. The image of a mouse is being used to represent the child, perhaps to emphasize his or her timidity.
Metaphor should be distinguished from simile, another figure of speech with which it is sometimes confused. Similes compare two unlike things by using a connective word such as "like" or "as". Metaphors use no connective word to make their comparison. Furthermore, critics ranging from Aristotle to I. A. Richards have argued that metaphors equate the vehicle with the tenor instead of simply comparing the two."

That doesn't sound too difficult does it? The definition basically gives you the right to compare one thing to another, by the use of an image, so therefore not directly implying that one thing is like another. Take the following words for example: "camera" and "dinosaur". In the phrase "The camera is an old as a dinosaur" you can deduce that the camera in question is very old. In the phrase "The camera is a dinosaur" not only do you deduce that the camera is very old, but it also implies that the camera is very rare and most possibly unique. (Well it does for me, because I just randomly came up with the phrase by looking at a photo of one of Don McCullin's Nikon camera's I have on my wall). That is the whole point and the beauty of the metaphor - it allows the reader to imagine the object or the scene, rather than telling them exactly what it is. In my opinion that makes it one of the most important figures of speech in the world of literature (and by this I really mean the world of anything that is written, from pulp fiction to song lyrics via classical literature). The metaphor gives you the freedom to imply something is like something you would never really compare it to, while creating a conduit for your imagination to run through. Pretty cool, no?

That's what I thought too. There are no real limits to a metaphor, because technically you can correlate one thing with something that it has nothing in common with, and get away with it. Similes can get pretty boring, because the overuse of the word "like" can become heavy and unimaginative, in the same way as the overuse of the words "nice" and "good" can be associated with laziness. The English language is so amazingly rich in vocabulary and figures of speech that it is a pity not to make use of it on a daily basis. I don't want you to tell me that the colour of my sister's skin is the same as the colour of a lily - I want to imagine that it is. The best part of reading a book or a poem is that you can create your own image of the world that is drawn out for you by the writer. In Keats' La Belle Dame Sans Merci, the line "and on thy cheeks a fading rose" leaves you to imagine the colour of the rose and how this coincides with the colour of the person's cheeks. In Edgar Allan Poe's The Tell-Tale Heart the line "I undid it just so much that a single thin ray fell upon the vulture eye." implies that the person the narrator is peering at has an eye that resembles a vulture's. A vulture circles it's prey and lays in wait for it to die at the hands of another before it feasts. Got the chills yet? Exactly the atmosphere that Poe was aiming to instill in your mind.
All of Shakespeare's plays are chock-full of metaphors and images, you pretty much can find at least one in every scene. For example, in Othello (my most very favourite of all Shakespeare's plays) Iago says to Roderigo “Our bodies are gardens, to the which our wills are gardeners”, implying that we have free will and decide our own actions, and are not determined by a higher being in our destiny. Outside of the fact that Iago is evil personified, this was a pretty bold statement for the time, and I pretty much agree with it. Although I assume that he just used this to justify his own evil actions in his own eyes and in the eyes of others.

There are many times that I ponder upon the idea that an intensive study of literature is not always the best course of action for a writer. You learn how to dissect a piece of writing and find meanings that may or may not have been put there on purpose. You learn how to find recurring themes, and hidden meanings, and thoughts that may not convey themselves to you on the first reading. You learn about structure and metre and cadence; about different rules in poetry through-out the ages, but you don't learn how to actually write your own creative pieces (although you do learn to write excellent literary studies and criticism). Maybe this is only my own problem, but after writing freely for years I suddenly found myself searching through my poems for hidden meanings. I would look at lines and decide that just because they didn't contain a figure or speech found in one of Byron's poems they should be thrown in the garbage. Or I would sit at my desk for hours, surround myself with candles and scratch out an image that would just sound contrived or, even worse, way too similar to something one of my favourite authors or poets had written. Instead of just writing what I felt, the words that were running through my brain, I would push them away and try to come up with something that never actually sounded genuine. So I gave up for a while. I stopped analysing literature like that (and started analysing human beings and real life situations to compensate), and eventually stopped writing poetry. Actually, I stopped calling what I was writing poetry, and started to pretend to myself that the poems I was writing were all actually song lyrics that would never be put to music. All because I was terrified of never getting a metaphor right. I thought I was fearless, but I suppose that's just a cover. In reality I feared the image created by words. Or more accurately, the inability to create an image with words.

But in retrospect, that is just so silly... We create metaphors every day, in everything we do. My writing is full of metaphors, I made them up without thinking and/or realising. Metaphors come naturally. They just exist. Sometimes I still wonder if Shakespeare and Keats and Byron sat there for hours and hours stumbling over one line, or if they just wrote and wrote as they saw the images in their heads. I do the latter, and will continue to do so because that's the only way it works for me. I know that Plath would work on a line for days and days until it sounded perfect to her, but I don't have the patience for that. Maybe I should, who knows, but I'd rather actually be able to produce something rather than throw whatever few words I managed to eke out into the garbage.

Saying that... I just read two lines of a poem that I wrote in 2005. I think I will be going back to writing poetry again in the near future. Thank you metaphor for being so complicated but so simple at the same time. A Rubik's cube of words.

"Twinkle, twinkle silver shadow
My bottle sparkled with a grin"